Multiple Intelligences as Strategy for Teaching EFL to high school graduates

one another and that individuals have distinct profiles of intelligences, assessments of each intelligence have to be developed. To take advantage of students' multiple intelligences, there must be some way to identify their strengths and weaknesses reliably.

Yet MI Theory grows out of a conviction that standardized tests, with their almost xclusive stress on linguistic and logical skills, are limited. As a result, the further development of MI Theory requires a fresh approach to assessment, an approach consistent with the view that there are a number of intelligences that are developedand can best be detectedin culturally meaningful activities . In the remainder of the paper, the scholars describe their approach to assessment and broadly survey

their efforts to assess individual intelligences at different age levels. In addition, they report some preliminary findings from one of their projects and their implications for the confirmation (or disconfirmation) of MI Theory.

If, as argued, each intelligence displays a characteristic set of psychological processes, it is important that these processes be assessed in an "intelligence-fair" manner. In contrast to traditional paper-and-pencil tests, with their inherent bias toward linguistic and logical skills, intelligence-fair measures seek to respect the different modes of

thinking and performance that distinguish each intelligence. Although spatial problems can be approached to some degree through linguistic media (like verbal directions or word problems), intelligence-fair methods place a premium on the abilities to perceive and manipulate visual-spatial information in a direct manner. For example, the spatial intelligence of children can be assessed through a mechanical

activity in which they are asked to take apart and reassemble a meat grinder. The activity requires them to "puzzle out" the structure of the object and then to discern or remember the spatial information that will allow reassembly of the pieces. Although linguistically inclined children may produce a running report about the actions they

are taking, little verbal skill is necessary (or helpful) for successful performance on such a task.

Whereas most standard approaches treat intelligence in isolation from the activities of a particular culture, MI theory takes a sharply contrasting tack. Intelligences are always conceptualized and assessed in terms of their cultural manifestation in specific domains of endeavor and with reference to particular adult "end states." Thus, even atthe preschool level, language capacity is not assessed in terms of vocabulary, definitions, or similarities, but rather as manifest in story telling (the novelist) and reporting (the journalist). Instead of attempting to assess spatial skills in isolation, we observe children as they are drawing (the artist) or taking apart and putting together

objects (the mechanic).

Ideally, one might wish.to assess an intelligence in a culture-independent way, but this goal has proved to be elusive and perhaps impossible to achieve. Cross-cultural research and studies of cognition in the course of ordinary activities have demonstrated that performances are inevitably

dependent on a person's familiarity and experience with the materials and demands of the assessments. In our own work, it rapidly became clear that meaningful assessment of an intelligence was not possible if students

had little or no experience with a particular subject matter or type of material. For example, our examination of bodily-kinesthetic abilities in a movement assessment for preschoolers was confounded by the fact that some four-year-olds had already been to ballet classes, whereas others had never been asked to move their bodies

expressively or in rhythm. This recognition reinforced the notion that bodily-kinesthetic intelligence cannot be assessed outside of a specific medium or without reference to a history of prior experiences.

Together, these demands for assessments that are intelligence fair, are based on culturally valued activities, and take place within a familiar context naturally lead to an approach that blurs the distinctions between curriculum and assessment. Drawing information from the regular curriculum ensures that the activities are familiar;

introducing activities in a wide range of areas makes it possible to challenge and examine each intelligence in an appropriate manner. Tying the activities to inviting pursuits enables students to discover and develop abilities that in turn increase their chances of experiencing a sense of engagement and of achieving some success in their society.

Putting Theory into Practice

In the past five years, this approach to assessment has been explored in projects at several different levels of schooling. At the junior and senior high school level, Arts PROPEL, a collaborative project with the Educational Testing Service and the Pittsburgh Public School System, seeks to assess growth and learning in areas like music, imaginative writing, and visual arts, which are neglected by most standard

measures .Arts PROPEL has developed a series of modules, or "domain

projects," that serve the goals of both curriculum and assessment. These projects feature sets of exercises and curriculum activities organized around a concept central to a specific artistic domainsuch as notation in music, character and dialogue in play writing, and graphic composition in the visual arts. The drafts, sketches, and final products generated by these and other curriculum activities are collected in portfolios