The Doctrine of the "Mysterious Female" in Taoism
Here it is also possible to suggest a hypothesis about the relationship existing between prenatal and perinatal themes and their archetypic images from one side, and different kinds of myths about miraculous conception, which are known to practically every civilization, from another side. It can be suggested that the mythologem of miraculous conception is a manifestation of a subconscious wish to enjoy the synergetic unity with the mother which was attainable during the period of prenatal development. This wish is, in addition, accompanied by the elimination of every (and first of all, fatherly) mediation of this unity. In any case, Taoist materials undoubtedly connect the state of immortality and perfection with returning to the state of the sage-infant (compare the biblical phrase "If you do not change and become like little children you will never enter the Kingdom of heaven" [Matt. 18:3], and the idea of the combination of the wisdom of a snake and the simplicity of a pigeon, the topic developed and explained by St. Paul). This sage-infant of Taoism eternally dwells in the universal womb of the Mysterious Female, Tao as Great Mother of the world, and this womb is isomorphic, but certainly not identical to, the maternal womb in which the embryo enjoys happiness before its birth.
Li Erh, Lao-tzu, Eternal Infant of Taoism, the founder of this teaching and the teacher of the kings, age after age appearing on the earth in the name of highest wisdom and highest simplicity (nonpolished wooden block- p'u, and raw silk-su, are quite common designations of original simplicity as one of the most important values of Taoism. he/she is that paradigmatic figure to which Taoism appeals and calls for identification with.
Taoism proclaims that the human body is a microcosm, an "image and likeness" of the macrocosm, the universe. "A man is but small heaven and earth," is an often mentioned Taoist saying. This teaching, extremely important for the Taoist tradition, is also well-known in other religious and philosophical doctrines, in the East as well as in the West, including Christianity, especially in its Gnostic variety (the Russian theologist Father Pavel Florensky considers it to be absolutely orthodox).
The Taoists also evaluate body as the image of the state; the state according to Chinese philosophical concepts is a part of natural, universal integrity. This doctrine of the similarity of the body and the universe is the true foundation of the Taoist practice of "inner alchemy," the aim of which is to produce the so-called elixir of immortality inside the body of an adept from its energies or pneumata which are a microcosmic analogue of the metals and minerals of the outer world. It is obvious that the processes of the body were thought of as analogous to the processes and changes of the outer laboratory, alchemy, the cauldrons of which represented a specific acting model of the macrocosm as well.
Strictly speaking, treatises on the inner alchemy (nei tan) tell us about the creation of a new immortal body of the Taoist which must be created inside the old "corrupted" body. If the process is successitilly finished, a new immortal body replaces the old one. being "born" of the mortal body. For our thesis, it is important that the process of the creation of the new sacred body from the pneumata of the profane one is described in the texts in terms of pregnancy, embryonic development, and birth.The image of the creation of the new perfect body is rather widespread in the religious beliefs of quite different peoples of the world. In Shamanism, for example, it is used in the imitation of death, which is accompanied by contemplation of flesh decay, which is followed by rebirth after the creation from the skeleton (substantial ground of the body) of the new "Shamanic" body. This form of practice is rather common for shamanistic initiations (e.g., Eliade, 1972, pp. 63-64). Such rituals are also known in some Indian yogic sadhanas, especially those of Tantric origin: in the course of this practice, the yogi creates a new indestructible yogic body (yoga deha), corresponding with the old one as mature and green fruit, or (in terms of"rasayana," "vehicle of alchemy") as vulgar profane metal and mature alchemical gold (Fliade, 1958, pp. 274-278). The contemplation of a skeleton is also a common practice in classical Buddhism. But the semantics of this contemplation in Shamanism or Taoism are quite different than in Buddhism. In the first case, the skeleton is a symbol of some basic or original substance, which coming back to gives new powers to the person and brings him or her to a new level of existence. The adept returns to it in his or her experience of mystical death and rebirth, and then obtains new powers and creates from this substance a new sacred body. The Taoist image of coming back to the maternal womb as an unborn child in the Tao Te ching and its ontological connotation, that is, returning to the womb of the emptiness of Tao and obtaining a new everlasting life, are also of the same kind. From the depth of darkness of the "chaotic and obscure" womb of the Mother-Tao (huang hu), the Taoist sage creates the light of enlightenment (ming) and new life by passing through the experience of mystical death (reduction to embryonic state in Tao) and rebirth-resurrection. But this rebirth does not lead to the separation from Tao: this Mysterious Female forever remains the mother-nurse of the Taoist baby-sage. In the case of Buddhism, however, such contemplation is directed at recognizing that existence is inherently subject to impermanence, destructibility and mortality, that is, the purpose of this kind of meditation is an interiorization of the understanding of the ubiquity of samsara (world of deaths and rebirths) as suffering and frustration.For an understanding of the Taoist inner alchemy, two pairs of interrelated concepts are of predominant importance: natural essence (hsing) and vitality (ming); precelestial or prenatal (hsian t'ian) and postcelestial or postnatal (hou t'ian). The Taoist texts explain these concepts thus: The teaching about alchemical melting is the teaching of the method of melting of the natural essence and vitality to make them perfect. The law of the natural essence and vitality has two sides: the natural essence given by Heaven, which must be nurtured, and the natural essence of the pneumatic quality, which must be overcome. The vitality which is confirmed in separation must be pacified; bodily vitality must be fed. These are the principal two sides of the teaching of the Way (Tung Te-ning, a Taoist of the 18th century, commentary on the "Chapters of the Insight into the Truth" of Chang Potuan, 11 A.D.). A famous representative of inner alchemy, Wu Ch'ung-hsti (born in 1574), also tells us that precelestial nature is the pneuma received by the foetus at the time of conception, and the postcelestial one is the pneuma or energy received by a foetus due to the breathing of its mother or (after its birth) through its own inhalations. The first pneuma is concentrated in the navel, the second one in the nostrils. The inner alchemy is directed towards the harmonization of the "natural essence" and "vitality," the elimination of any collision between them. When this purpose is realized, an "elixir of immortality" appears inside the body of an adept which, in turn, changes itself into the so-called "immortal embryo" (hsian t'ai) growing into the state of the new immortal body of the alchemist. Therefore, the body of the Taoist is a female body, maternal body, and the adept himself or herself appears to be his or her own mother, like Lao-tar of the cosmological myth, who also was, as we have seen, the mother of himself/herself. Certainly, "immortal embryo" is a fruit of the conjugality or hierogamy of two principles, yin and yang, like everything in the world, but this sacred marriage has its place in the body of a Taoist who, like all beings, obtains his/her life in the maternal womb of the Mysterious Female, the great Way (Tao) of the universe. The body of the Taoist is a female body, too; in this body the conjunction of the principles takes its place and the fruit of this union is nothing other than the miraculously transfigured Taoist himself/herself. Thus the body of the Taoist is an analogy to the mystical body of Tao which is of paradigmatic value for the Taoist (Schipper, 1978, p.371).
We can continue to compare "embryological" and "psychotechnical" aspects of Taoism. The Taoists pay much attention to the teachings about the states of development of the foetus. Why? It seems to me that the reason lies in the deep isomorphism between the steps of embryonical growth, the stages of the process of cosmogony, and the phases of the formation of the "immortal embryo" in inner alchemy": "The foetus obtains his definitive bodily form for ten lunar months and afterwards the baby is born. Like this, the numinous foetus also needs ten lunar months to be born. The spirit obtains its fullness and then goes out" (Wu Ch'ung-hsti, 1965, p.45). In the teaching of the "inner alchemy," therefore, two sides of the Taoist concept of the female take their place: the identity of the body of the adept with the female body, and the correspondence of the latter with Tao as an ontological pattern from one side and the teaching about transubstantiality of the mother-adept and 'her" child from the other side.
Nevertheless, Taoists understood ambivalence of the perinatal patterns. So the maternal womb was seen by them, not only as a source of life and energy, but as the grave as well-the resulting summary of life, built on the expenses of the vital force. It resembles the idea in transpersonal psychology of the ambiguity of the perinatal experience (Grof; 1993): BPM I (Basic Perinatal Matrix) provides an experience of the maternal womb as a blissful and secure place, and BPM 2 and BPM 3 places of suffering and disease. One of the most famous Taoists of the T'ang period, Lu Tung-pin, according to tradition, declared the following: "The gates, through which I came to life are also the gates of death" (Schipper, 1969, p.38). This sentence was repeated in the famous didactic and erotic novel of 16 A.D., Chin, Ping Mei (The Plum Flowers in the Golden Vase) to warn readers against frivolous spending of the life energy, but here, in a sexual context. In any case, the ambivalence of the female principle has never been forgotten in China.