Pulizer Prize

Pulizer Prize

HISTORY OF THE PRIZES

In the latter years of the 19th century, Joseph Pulitzer stood out as the very embodiment of American journalism. Hungarian-born, an intense indomitable figure, Pulitzer was the most skillful of newspaper publishers, a passionate crusader against dishonest government, a fierce, hawk-like competitor who did not shrink from sensationalism in circulation struggles, and a visionary who richly endowed his profession. His innovative New York

World and St. Louis Post-Dispatch reshaped newspaper journalism. Pulitzer was the first to call for the training of journalists at the university level in a school of journalism. And certainly, the lasting influence of the Pulitzer Prizes on journalism, literature, music, and drama is to be attributed to his visionary acumen. In writing his 1904 will, which made provision for the establishment of the Pulitzer Prizes as an incentive to excellence, Pulitzer specified solely four awards in journalism, four in letters and drama, one for education, and four traveling scholarships. In letters, prizes were to go to an American novel, an original American play performed in New York, a book on the history of the United States, an

American biography, and a history of public service by the press. But, sensitive to the dynamic progression of his society Pulitzer made provision for broad changes in the system of awards. He established an overseer advisory board and willed it "power in its discretion to suspend or to change any subject or subjects, substituting, however, others in their places, if in the judgment of the board such suspension, changes, or substitutions shall be conducive to the public good or rendered advisable by public necessities, or by reason of change of time." He also empowered the board to withhold any award where entries fell below its standards of excellence. The assignment of power to the board was such that it could also overrule the recommendations for awards made by the juries subsequently set up in each of the categories. Since the inception of the prizes in 1917, the board, later renamed the Pulitzer Prize Board, has increased the number of awards to 21 and introduced poetry, music, and photography as subjects, while adhering to the spirit of the founder's will and its intent.

The board typically exercised its broad discretion in 1997, the 150th anniversary of Pulitzer's birth, in two fundamental respects. It took a significant step in recognition of the growing importance of work being done by newspapers in online journalism. Beginning with the 1999 competition, the board sanctioned the submission by newspapers of online presentations as supplements to print exhibits in the Public Service category. The board left open the distinct possibility of further inclusions in the Pulitzer process of online journalism as the electronic medium developed. The other major change was in music, a category that was added to the Plan of Award for prizes in 1943. The prize always had gone to composers of classical music. The definition and entry requirements of the music category beginning with the 1998 competition were broadened to attract a wider range of American music. In an indication of the trend toward bringing mainstream music into the Pulitzer process, the 1997 prize went to Wynton Marsalis's "Blood on the Fields," which has strong jazz elements, the first such award. In music, the board also took tacit note of the criticism leveled at its predecessors for failure to cite two of the country's foremost jazz composers. It bestowed a Special Award on George

Gershwin marking the 1998 centennial celebration of his birth and Duke

Ellington on his 1999 centennial year.

Over the years the Pulitzer board has at times been targeted by critics for awards made or not made. Controversies also have arisen over decisions made by the board counter to the advice of juries. Given the subjective nature of the award process, this was inevitable. The board has not been captive to popular inclinations. Many, if not most, of the honored books have not been on bestseller lists, and many of the winning plays have been staged off-Broadway or in regional theaters. In journalism the major newspapers, such as The New York Times, The Wall Street Journal, and The WashingtonPost, have harvested many of the awards, but the board also has often reached out to work done by small, little-known papers. The Public Service award in 1995 went to The Virgin Islands Daily News, St. Thomas, for its disclosure of the links between the region's rampant crime rate and corruption in the local criminal justice system. In letters, the board has grown less conservative over the years in matters of taste. In 1963 the drama jury nominated Edward Albee's Who's Afraid of Virginia Woolf?, but the board found the script insufficiently "uplifting," a complaint that related to arguments over sexual permissiveness and rough dialogue. In 1993 the prize went to Tony Kushner's "Angels in America: Millennium

Approaches," a play that dealt with problems of homosexuality and AIDS and whose script was replete with obscenities. On the same debated issue of taste, the board in 1941 denied the fiction prize to Ernest Hemingway's For

Whom the Bell Tolls, but gave him the award in 1953 for The Old Man and the

Sea, a lesser work. Notwithstanding these contretemps, from its earliest days, the board has in general stood firmly by a policy of secrecy in its deliberations and refusal to publicly debate or defend its decisions. The challenges have not lessened the reputation of the Pulitzer Prizes as the country's most prestigious awards and as the most sought-after accolades in journalism, letters, and music. The Prizes are perceived as a major incentive for high-quality journalism and have focused worldwide attention on American achievements in letters and music.

The formal announcement of the prizes, made each April, states that the awards are made by the president of Columbia University on the recommendation of the Pulitzer Prize board. This formulation is derived from the Pulitzer will, which established Columbia as the seat of the administration of the prizes. Today, in fact, the independent board makes all the decisions relative to the prizes. In his will Pulitzer bestowed an endowment on Columbia of $2,000,000 for the establishment of a School of

Journalism, one-fourth of which was to be "applied to prizes or scholarships for the encouragement of public, service, public morals,

American literature, and the advancement of education." In doing so, he stated: "I am deeply interested in the progress and elevation of journalism, having spent my life in that profession, regarding it as a noble profession and one of unequaled importance for its influence upon the minds and morals of the people. I desire to assist in attracting to this profession young men of character and ability, also to help those already engaged in the profession to acquire the highest moral and intellectual training." In his ascent to the summit of American journalism, Pulitzer himself received little or no assistance. He prided himself on being a self- made man, but it may have been his struggles as a young journalist that imbued him with the desire to foster professional training.